Here are some of the many ways in which the Patriz Huber Ornaments can be assembled.

This official NASA poster for the "Great American Eclipse" of 2017 was designed by Tyler Nordgren, mainly with Kilroy WF from the American Poster Fonts collection.

Tyler Nordgren used Dickie WF from the American Poster Fonts collection to great effect in his retro-style Eclipse poster.

Tyler used a variety of fonts from the American Poster Fonts of WWII and Wild West Press collections for this collage.

William Grant & Sons, Irish maker of fine libations, uses the American Poster Fonts to advantage. Here we see "Dickie WF" on a can of Sailor Jerry spiced rum.

What better use for the American Poster Fonts collection than on the cover of a hotrod enthusiast magazine!

Our friend Kajetan sent this snapshot he took on the set of "Fantastic Beasts and Where to Find Them." New Victorian Printshop fonts are everywhere!

Cupboard WF from the New Victorian Printshop is what makes this logo!

An ad by Akkurat.se, with Fonts from the New Victorian Printshop. Skol!

Jonathan Scheele of Open Sky Ideas cooked up this cool travel poster, using WF Fettdruck and WF Luftpost, from the Kraftwerk Press collection.

Jonathan Scheele of Open Sky Ideas used WF Vulkan and several other Kraftwerk Press fonts to advantage in this poster.

The original German frontispiece on the left, my own translation on the right. I used Luthersche, Breitkopf, and Coelnisch Current Fraktur fonts from the Gutenberg Press.

I'm chuffed to bits: My fonts were used for many props in the Warner Brothers movie "Harry Potter and the Deathly Hallows." The designs are by the amazing talents at minalima.

The Wild West Press fonts are lending their "Wild" to this prop from the Warner Brothers movie "Harry Potter and the Deathly Hallows." Designed by minalima, whose website you need to visit as soon as you're done here!

A cover for "The Quibbler," the wizarding magazine, from the Warner Brothers movie "Harry Potter and the Deathly Hallows," designed by minalima

A book cover prop created for the 2016 Warner Brothers movie "Fantastic Beasts and Where to Find them" Design by minalima

Wizarding product labels created for the 2016 Warner Brothers movie "Fantastic Beasts and Where to Find them." by minalima

This poster is a prop featured in the 2016 Warner Brothers movie "Fantastic Beasts and Where to Find them." Design by minalima

This poster is a prop featured in the 2016 Warner Brothers movie "Fantastic Beasts and Where to Find them." Design by minalima

This poster is a prop featured in the 2016 Warner Brothers movie "Fantastic Beasts and Where to Find them." Design by minalima

This poster is a prop featured in the 2016 Warner Brothers movie "Fantastic Beasts and Where to Find them." Design by minalima

This poster is a prop featured in the 2016 Warner Brothers movie "Fantastic Beasts and Where to Find them." Design by minalima

This prop featured in the 2016 Warner Brothers movie "Fantastic Beasts and Where to Find them." Design by minalima

This poster is a prop featured in the 2016 Warner Brothers movie "Fantastic Beasts and Where to Find them." Design by minalima

Matthew Bowers sent in this concert flyer, featuring fonts of the American Poster Fonts of World War II set.

Matthew Bowers sent this 1940's-themed News Year's event poster, featuring Dickie WF and other fonts from the American Poster Fonts set.

Another Manufactur.co poster using Banter WF, Cupboard WF, and Grubb Script WF, all from the New Victorian Printshop.

Matthew Bowers, Creative Director at Manufactur.co sent us this awesome poster featuring Monboddo WF from the New Victorian Printshop

Designer-educator Dave Gottwald sent images of some recent work he's done for an exhibition at the Oakland Museum of California. Fantastic!

This work included signage, packaging, ephemera, and more.

Even maps! This is where the flourishes included in the Victorian Printshop really come to the fore.

Laura Marr sent us this piece she did for The American Civil War Museum. She used Clifford Eight and Wildwash for the headline, and an ambrotype is an early form of photograph.

Richard Binder sent us this cover design for his new book. He used Cutright Bold from the American Poster Fonts to make it pop!

Marcel used fonts from the Wild West Press in this design

Tom Dowlin writes about his poster: "Your "Fonts for Victory" really added an authentic look to the design that I never would have been able to achieve otherwise".

Scott Jones sent us this excellent design for this company. He used fonts and a clip-art image from the New Victorian Printshop.

I discovered this product package at Whole Foods the other day.

Fraktur's last hurrah included this innovative version: Neue Werbekraft. My version includes all the preposterous ascenders of the original. Oh, and Paletti is also in the picture.

The Bruder Butter foundry issued some of the most innovative type advertisements of the time. Here is one example for "Ohio Schrift," subtly adapted for my own purposes.

The first Kraftwerk Press font to roll off the stocks, and easily my favorite. Can't get bolder than this.

Ohio Kursiv is the ideal face for earthy yet sophisticated applications. Paired here with Border "Schnuppe."

This font says it loud and clear: don't fall for quack medicine!

Normdruck makes for a clean presentation - even in French! Don't try to buy this book - I made it up.

"Mit Karacho" means "at great speed" in German. A fitting name, as this font has a kick like a mule!

Luftpost and its underline / double-underline styles prove a perfect match for this made-up ad. (Even if the text makes no sense).

Hochdurck from the Kraftwerk Press shines in this letterhead for a fictitious company.

A hip concert poster, done entirely in Fette Krause.

This children's book was one of my favorites growing up. Here I have reimagined the title with Ohio Kraft instead of the original hand lettering.

I don't watch the show, so I only recently became aware that Discovery is using Ashwood Condensed WF from the Wild West Press in their collateral for “Ice Road Truckers”

Wild West Press fonts give this poster a grungy edge. More of Marcel Bontempi's handiwork!

Master Marcel Bontempi shows off again with this vinyl sleeve.

Bob Coronato created this amazing series of rodeo posters using (among others) fonts from the Wild West Press. You can and should buy prints at bobcoronato.com

Bob Coronato created this amazing series of rodeo posters using (among others) fonts from the Wild West Press. You can and should buy prints at bobcoronato.com

Bob Coronato created this amazing series of rodeo posters using (among others) fonts from the Wild West Press. You can and should buy prints at bobcoronato.com

Marcel Bontempi designed this album cover using (among others) fonts from the New Victorian Printshop.

This poster features various fonts from the New Victorian Printshop.

Our friend Marcel Bontempi has released new artwork!

Here's our very own Amaltea WF from the New Victorian Printshop! Courtesy of our friend Kathleen Lynch, Black Kat Design

Mitch Morris, one of our favorite artists, has sent in some of his new work.

Mitch Morris, one of our favorite artists, has sent in some of his new work.

Mitch Morris, one of our favorite artists, has sent in some of his new work.

Mitch Morris, one of our favorite artists, has sent in some of his new work.

We love Wimpy Kid. This seems a bit incongruent, but it works for us.

This mustard had its label spiced up with Wild West Press Fonts!

It looks like the grit was removed before the fonts went on the box, but I'm pretty sure these are fonts from the Wild West Press. Found at Whole Foods

Lyne of Neymeyer Photo/Design sent us this awesome poster. It advertises a Christmas time event at a local riding stable. Kids under 10 get to ride ponies and have their picture taken with Santa!

Josh Graham used our American Poster Fonts in this wonderful TARDIS poster, for sale on Etsy.com.

Embers at Dawn is Julie Loen's new novel. From her description it sounds like a great read. Our Wild West Press fonts on the cover don't exactly hurt the eye, either. Get the book here.

Rev. Scott sends us this excellent work. He combined his own graphic design skills with our American Poster Fonts to create this inviting invite.

Our good friend Mitch Morris sent us this wonderful poster, featuring Falaise Script, Iva and Irby from the American Poster Fonts of World War II set. I love this poster.

Graphic artist Freder has just released this wonderfully bizarre set of tarot cards. They use fonts from the American Poster Fonts of World War II set.

Graphic artist Freder has just released this wonderfully bizarre set of tarot cards. They use fonts from the American Poster Fonts of World War II set.

Graphic artist Freder has just released this wonderfully bizarre set of tarot cards. They use fonts from the American Poster Fonts of World War II set.

Justin K. sends us this wonderful, fictitious advertisement for the Victorian cyclist. Check out more of his work here.

This is a book of Thai cookery, and it uses Ashwood Condensed WF on the cover. Other than that, words fail me.

Kat at Black Kat Design chose our American Poster Fonts of WWII collection for her newest book cover design. Gotta love Perlina!

This wonderful new children's book uses our Wild West Press fonts in almost all its gorgeous illustrations. Nothing writes the "Kaboom" of an exploding boiler like Ashwood Extra Bold WF. I actually bought a copy for myself.

Don't say I didn't warn you! Even as an adult you won't be able to put this one down. Matchwood Italic WF from the Wild West Press lends a gritty edge to zany drawings.

Mitch at mitchmistake.com sent us three recent posters that feature fonts from the Wild West Press.

Another design by Mitch. This poster threw me a bit - is it a poster? A book cover? Either way, it's an eye-catcher. Not least because it features Ashwood Condensed WF from the Wild West Press.

Possibly my favorite in the series. This one features Wildwash WF from the Wild West Press.

This program for a recent event of the Virginia Association of Chiefs of Police (VACP) featured Caslon Book WF and other fonts from the Minuteman Printshop throughout.

Erin at www.studioEgraphics.com sent us pages from a railroading magazine she's currently working on. Lovely work, Erin!

A fascinating new book. I love how they shot out the "O"!

I don't like hunting. I think it's cruel and stupid. But that's Type No. 11 from the Civil War Press on their book cover, so here it is.

A visit to our local Trader Joe's turned up a slew of new products featuring our fonts, mostly from the Wild West Press. Here we have Ashwood Extra Bold WF.

Another Trader Joe's product, this time with Ashwood Condensed WF from the Wild West Press.

Trader Joe's really loves our fonts. Really loves them.

We found this little wall hanger at a local gift shop in Arlington. What better fit than Ashwood Condensed WF to convey this message?

I love these breadsticks. Can't even have one, or I'll have the whole box. Find them at your local Whole Foods Market. Just look for the box with Bullion WF on the cover!

Dead Man's Hand from the Wild West Press is not what I typically associate with dairy products, but it works rather well on this label!

This documentary by Kartemquin Films focuses on a rural Midwestern museum and print shop where international artists meet retired craftsmen and together navigate the convergence of modern design and traditional technique.

Jeremey sent us this cover design for "Encampment" by Carl Eeman. Nice work!

Joshua's soap label really gives you that 1940's feel, doesn't it?

Chris at The Dapper Paper Co. sends us this. Wild West Press Fonts + Bigfoot = Spiffy invitations indeed!

Joseph Francis at the Digital Artform blog worked up this poster, featuring Elmira WF from our American Poster Fonts set.

Kate at the HeadedOutWest food blog gets a lot of mileage out of our Wild West Press fonts. Small wonder!

The good folks at Little Bit Heartreally like the Civil War Press.

It's happened again - Cut and Shoot WF from the Wild West Press is featured on this Will Farrell movie poster for "Casa de mi Padre"

All our new fonts on one poster!

This poster was created with Dickie WF, Fustian Script WF, and Epsom WF from American Poster Fonts. The lightning bolt on the car is from Poster Bullets WF

What are you waiting for?

National Geographic Books chose Dead Man's Hand from our Wild West Press to set the great man's name on this cover.

We like Trader Joe's Wasabi Nuts, but we like the label on the bag even better! It features our free Jugend WF font. It's a great value, you might want to download it, too!

Sometimes our fonts show up in unexpected places, like Dead Man's Hand from the Wild West Press on this bag of frozen fruit.

Ever so often we spot our fonts in a TV, er, spot. This capture from a recent promo for the popular FOX biker drama features Ashwood Extra Bold for an added punch.

Mitch Morris tells us: "The main title is a LHF font but the support is all Wild West Press. Dead Man's Hand and Jawbone...The Wild West Press collection will definitely be a main part of my font arsenal." We hope so, Mitch!

More beautiful work by master artist Marcel Bontempi. Marcel combines the fonts of the Wild West Press with other fonts and his own stunning graphics to achieve an entirely unique look.

More beautiful work by master artist Marcel Bontempi.

More beautiful work by master artist Marcel Bontempi.

More beautiful work by master artist Marcel Bontempi. en

More beautiful work by master artist Marcel Bontempi.

Our Wild West Fonts complement Hawaii-based photographer Jonathan Rawle's beautiful work in this stunning poster.

This time, our friend Marcel from Germany has designed two book covers. Read more on his blog!

As far as we can tell, this is the third time we're featured in a major motion picture! "Roadie" collateral makes great use of Ashwood Condensed. We haven't seen the movie yet, but with fonts like these, it can't possibly be bad :)

We made these tombstones ourselves for our annual Halloween office party, so we can't toot our horn too loudly! We hope you will agree that Webster Roman and Webster Italic from the Minuteman Printshop make these cardboard grave markers pop!

This wonderful cd label by Blue King Brown gets its rough edge from the Wild West Press.

Jason L. of deathraydesign.net created this awesome poster with fonts from the Wild West Press. Looks like a great show!

Typography student Varun created this amazing poster. It's based on the lyrics from "Stack O'Lee" and "Billy the Lyons". Wonderfully done!

The back of the story poster features a large, classical "Wanted!" poster.

Driving home one night, I spotted this store sign. What a great use for Ashwood Extra Bold!

For it features Jugend WF, our freebie font. The book-of-the-month club has taste!

Ray G. shared this image with is, which will go on the cover of his self-released music CD.

A beautifully designed CD booklet for British Band Zarbo's self-titled debut album. Our fonts feature on their website as well.

Noah Gregg strikes again with Ashwood Condensed from the Wild West Press.

There's a whole bunch of new marketing collateral at our local store, all featuring fonts from the Wild West Press.

Evidently Hallmark cared enough to use only the best Wild West fonts for this Birtday card. Artistic merits aside, we think this is pretty cool!

We were surprised to see our local Panera Bread shop decked out in Ashwood Condensed and Ashwood Extra Bold from the Wild West Press!

This beautiful cover makes very subtle use of Ashwood Condensed WF and Bullion Italic WF from the Wild West Press

While it's not as evident on the cover, this work features fonts and clipart from both the Wild West Press and the Civil War Press in its pages.

The strength and clarity of Ashwood Condensed WF is put to good use on this cover.

This is an ad, designed by Skona, that will run in 7x7 magazine (San Francisco) to promote a fundraising foodie event. The event is held in Potrero Hill, a very cool, historic, artisan neighborhood. The Wild West font family, used with a modicum of discretion to avoid a wild west feel, was perfect in capturing the feeling of the event and the genre of epicurean fare being offered.

Joseph S. writes "I recently got another tattoo where I used one of your fonts (Uncial WF) so I thought I'd send a picture of it to you. The quote is in Portuguese: O mar sem fim é português (the sea without end is Portuguese)."

Rae S. had this to say about the Wild West Press: "Your fonts are wonderful! Here's one of the posters I'm working on with your fonts."

Greg C. pulled out all the stops with the Minuteman Printshop and created this amazing newsletter.

Thrilling tales? Perhaps. I was thrilled to see a variety of fonts from the Wild West Press and Civil War Press on the cover!

So this book is "spooky". That wouldn't have anything to do with Dead Man's Hand from the Wild West Press being used on the Cover, would it?

I don't know what these strange military facts might be, but I like how they used Clifford Eight and Gatlin Bold from the Wild West Press on the cover!

This cover uses Gatlin Bold WF from the Wild West Press to good effect

This interesting work by Michael Varhola combines fonts from the Wild West Press and the Civil War Press to present a well-rounded, period-inspired book cover.

Though the fonts used here are from the Wild West Press and aren't from the right period, the feel of this design is good. The box contains copies of historical documents, maps and other items for Revolutionary War play.

Noted designer Noah Gregg loves the Wild West Press!

Cover Art by Noah Gregg, as featured on iTunes. The font used is Ashwood Condensed from the Wild West Press

The 2011 GAP President's day campaign features fonts from the Wild West Press prominently in stores and online.

Jonathan Chadwick of Artistic Type used fonts from the Minuteman Printshop for the proper 18th century look.

We enjoy the woodcut look! Designed with fonts from the Minuteman Printshop by Jonathan Chadwick of Artistic Type.

John Zavinski of The Herald of Sharon, Pa. created this classic showprint-style election poster with fonts from the Wild West Press.

Designer Jen Shockley chose Fonts from the Wild West Press to design these refreshingly different bottle labels.

Joe P. had this tattoo done recently and tells us "The words are from a Hart Crane poem about Herman Melville ('At Melville's Tomb'). I wanted to share a picture of how I made use of your William Shakespeare font."

Designer Randy Harris sends us this poster, featuring the Wild West Press. Nice job, Randy!

Another nice poster by Randy Harris.

The 2010 Whole Foods holiday campaign centers around Ashwood Condensed WF from the Wild West Press. Everything from shopping bags to Hannukah menus feature this distinctive font.

Ashwood Condensed WF, a font from the Wild West Press collection features prominently on this movie poster for "The Assassination of Jesse James by the Coward Frank Ford". We hope Brad Pitt liked it!

A great, colorful use for the Wild West Press fonts.

Another cool album cover using Wild West Press fonts.

A set of reproduction ballot slips, created by Mattski at www.repropaperwork.com.

A view on Lincoln's third year in office, featuring fonts from the Civil War Press.

Cover for a history of the 20th Maine, featuring Type No. 8 from the Civil War Press.

This serious look at slavery features Type No. 7 from the Civil War Press on its cover.

Our German Latin WF font was used to produce many of the written props in the movie "Sky Captain and the World of Tomorrow". Some letter shapes, such as the German e and r were altered to produce legible English text.

A wonderfully retro concert poster, lovingly created with matching black-and-white shots

Ashwood Condensed WF featured prominently in the Whole Foods holiday campaign

Ashwood Condensed WF featured prominently in the Whole Foods holiday campaign

This wonderful new children's book by Phyllis Reynolds Naylor features our Wild West Press fonts prominently.

A stirring subject needs a typeface with a punch. It looks like the Wild West Press provided just that with this work.

At the first glance, this book communicates its contents through the use of Civil War Era type and small clip-art accent. Here the Civil War Press fonts are used to their fullest advantage.

The cover page for this delightful tale couldn't have found a more fitting set of typefaces to entice its young readers. It's the authenticity of the Wild West Press fonts that makes them so uniquely fitting.

This new book from the Oxford University Press uses the Fonts of the Wild West Press to good effect as it establishes the setting for this discussion on mid-19th Century American Politics.

This beautifully designed book cover makes great use of Dead Man's Hand, a font from our Wild West Press collection. This font was drawn by a prominent Kansas writing master. His only direction was to create a handwriting that would reflect someone who would be "handier with a six-shooter than with a pen" We believe he succeeded beautifully.

Sorry, folks - it's probably all gone by now, but we're sure the guests at a recent event at the Texas Ranger Museum sponsored by USFN had no trouble finding dessert with this great sign by graphic artist Denise Werner.

Ah - Walden Font Co. has arrived in the blogosphere! While googling for something completely unrelated, we spotted this instructive website. We're honored the authors deemed the fonts of the Wild West Press sufficiently manly for their masthead!

The good folks at www.honestfoods.com have sent us some pictures of their delicious new products. All made better by our fonts smack on their labels. Check it out!

Paul Jenkins at 40 Rocks Design Studio says "Our studio is designing 3 posters for God’s Country Outfitters and the Wild West Set was exactly what we needed to make our concept of a rugged wanted poster come to life. Needless to say, our client LOVED it! Thanks for the great stuff." You're very welcome, Paul!

Jon at Fat Caddy Records sends us these wonderful posters. He writes: "We use [your fonts] more than we should" - c'mon Jon - with our fonts, there's no such thing!

Sarah produced this lovely flyer with fonts from the Wild West Press (the script font is Ale Paul's "Burgues Script", not sold by Walden Font Co.) We especially love the color scheme!

Graphic Designer Brice Beasley sent us this great poster, showcasing what you can do with the Wild West Press!

Owen Troy of Design des Troy had this to say: "I wanted to pass along a series of posters we did for a local up-and- coming rollicking seafaring country rock band Sweet Crude Bill and the Lighthouse Nautical Society. We couldn't have gotten the right off-kilter antiquity look for their sound without your Wild West type, which we used (heck, overused) in a frenzy." Well done, Owen!

Caldecott Winning Children's Book typeset with the Civil War Press: Casey At the Bat: A Ballad of the Republic Sung in the Year 1888, A Caldecott Honor Book by Ernest L. Thayer and Christopher Bing makes extensive use of the Fonts of Civil War Press.

The Airbrush Outlaws have been in the biz for over 10 years, serving satisfied customers in Milwaukee and Chicago. Their new website, launched in February 2007 features clip-art and fonts from the Wild West Press all around. Visit them at airBrushOutlaws.com

Well here's something new - a tattoo of Henry David Thoreau sitting on a pumpkin, surrounded by his famous pronouncement "I would rather sit on a pumpkin and have it all to myself than be crowded on a velvet cushion" typeset - well, inked, rather - in Webster Italic WF from the Minuteman Printshop.

Jaimie Muehlhausen, San Diego designer extraordinaire and creator of the Redneck Words of Wisdom website used our Wild West Press in the artwork for his eponymous book slated to by published this October by Chronicle Books.

Jaimie also used a whole bunch of our fonts on his website. Head on over when you're done here - it's a must see. I laughed so hard, I fudged my undies...

Bob Howe at Bodine.com sent us a note, along with this stunning poster: "I love your fonts and have purchased Civil War and Wild West font sets. I am looking forward to your WW 2 set. I recently did a poster for a John McEuen of Nitty Gritty Dirt Band fame. I used some of your fonts. Thought you might like to see it. Thanks, and keep up the good work."

Debra found our William Shakespeare font from the Divers Handes collection wonderfully suitable for this project: She created a whole suite of business stationery for Anaphantasia, a 17th century music group.

Another group Debra is involved in is called "La Gente d'Orfeo". She used our Copperplate 1672 font from the Divers Handes collections to create a series of sophisticated fliers and a CD-cover.

Andrew, a most amazing artist and fellow typographer, sent us this fantastic postcard. He used fonts from the Civil War Press and the Wild West Press (among others) to accomplish his design. Please visit his website at www.ahleman.com

“Font Spotting” is our favorite activity! Sometimes we just happen to browse at our local bookstore and find our own creations looking back at us. You may recognize the typeface on the cover of this excellent book as Type No. 10 from the Civil War Press!

Today we got this email from Jeff:
Hello. I thought I'd let you know that I used Type No. 4 on two albums for Blue Note Records, Madlib's "Shades Of Blue" and the various artists' companion piece "Untinted". The art director at Blue Note complimented this typeface when he noticed that it wasn't simple clean block letters. I do all of this artist Madlib's artwork (most of which is released on our own label Stones Throw) and I actually used Type No. 4 on several of his other records, as well as a whole bunch of the Type series on a reggae compilation/mix he did called "Blunted In The Bomb Shelter". [...] Keep up the great work!

Scott Blake of the Pulaski Legion makes these fantastic reproduction newspapers with our Minuteman Printshop.

Check out his site at www.pulaskilegion.org/scottpapers.htm

Founded in 1996, Mass Appeal is a bi-monthly urban lifestyle magazine based in Brooklyn, NY. The Art Director at Mass Appeal used fonts from our Wild West Press for a feature on the Beastie Boys and a number of other headlines throughout the issue. Find out more about Mass Appeal magazine at www.massappealmag.com.

The Purgatorio features Zentenar Fraktur from our Gutenberg Press in the chapter headings.

Trillium Press is a world-famous maker of art books. Their edition of Dante's Inferno used Coelnisch Current Fraktur from our Gutenberg Press for the chapter headings. To find out more about this magnificent book, please visit Trillium Press.